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Masses from the Renaissance: Look and Listen |
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CoimU 2 |
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CoimU 2: Bibliotecas da Universidade de Coimbra MS M.2 OVERVIEW Size: 565 x 380 i + 203 + i paper folios; no index; foliation in red ink up to 25, modern foliation in pencil made after the many lost folios- these probably contributing to the mis-sequences of pages in the present binding; considerable damage to some folios; top right-hand of f. 203r torn away; water damage, sometimes considerable, on ff. 179v-187r & 197v-202v; blank folio separates each item. Scribe: unknown single scribe; somewhat prone to errors some of which have been corrected in the source; many others left unattended to. Place and Brief History: copied probably in the Netherlands but not from the Alamire scriptorium. Date: inscription on f. 157v "Noel Balduwin pie memorie" indicates source copied after 1530. Covers and Decoration: tooled brown leather but not original covers; calligraphic initials in black ink other than ff. 1v-2r & 34v-35r where red ink is used; red ink for the mass text Ihesu criste/Ihesum cristum and Et homo factus est (but not on ff. 107v-113r) and also for cantus firmi texts when supplied; red ink used for other rubrics and voice ensemble indicators. Literature: Charles Hamm & Herbert Kellman (eds), Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, Renaissance Manuscript Studies I, vol. I, American Institute of Musicology, Hänssler-Verlag, Neuhausen-Stuttgart, 1979, p. 157. THE MANUSCRIPT Contents:
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