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Masses from the Renaissance:

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CoimU 2

CoimU 2: Bibliotecas da Universidade de Coimbra MS M.2

OVERVIEW

Size: 565 x 380 i + 203 + i paper folios; no index; foliation in red ink up to 25, modern foliation in pencil made after the many lost folios- these probably contributing to the mis-sequences of pages in the present binding; considerable damage to some folios; top right-hand of f. 203r torn away; water damage, sometimes considerable, on ff. 179v-187r & 197v-202v; blank folio separates each item.

Scribe: unknown single scribe; somewhat prone to errors some of which have been corrected in the source; many others left unattended to.

Place and Brief History: copied probably in the Netherlands but not from the Alamire scriptorium.

Date: inscription on f. 157v "Noel Balduwin pie memorie" indicates source copied after 1530.

Covers and Decoration: tooled brown leather but not original covers; calligraphic initials in black ink other than ff. 1v-2r & 34v-35r where red ink is used; red ink for the mass text Ihesu criste/Ihesum cristum and Et homo factus est (but not on ff. 107v-113r) and also for cantus firmi texts when supplied; red ink used for other rubrics and voice ensemble indicators.

Literature:

Charles Hamm & Herbert Kellman (eds), Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1550, Renaissance Manuscript Studies I, vol. I, American Institute of Musicology, Hänssler-Verlag, Neuhausen-Stuttgart, 1979, p. 157.

THE MANUSCRIPT

Contents:

1v-21r
Johannes Mouton - pie memorie
Missa Verbum bonum et suaue [incomplete]
22v-33v
Adrianus Willart
Missa Laudate deum- up to Sanctus discantus/tenor
34v-50r
Petrus Mollue
Missa Mittit ad virginem [incomplete]
50v bis-56v
Missa allemaigne- Kyrie and most of Gloria
57r-59v
Missa Sancta trinitas-contratenor/bassus of Qui tollis and up to discantus/tenor of 2nd part of Patrem
60r-68r
Johannes mouton
Missa allemaigne- contratenor/bassus of 2nd part of Patrem onwards
69v-86r
Missa Iste confessor domini sacratus
87v-103v
Johannes mouton - pie memorie
Missa sancta trinitas- Kyrie to discantus/tenor of Qui tollis, then contratenor/bassus of 2nd part of Patrem onwards but no Agnus [III]
104v-121r
Missa Aue maria
122v-137r
Missa Cum iocunditate
138vv-156r
[AdrianWillaert]
Missa Benedicta es celorum regina [incomplete]
157v-178r
Noel balduwin - pie memorie
Missa Inuiolata
179v-183v

Noel balduwin

Missa Quam pulchra- Kyrie and fragments of Gloria
183r bis-184v
Johannes mouton
Missa allemaigne- contratenor/bassus of 2nd part of Qui tollis and most of Patrem
185r-193r
Noel balduwin
Missa Quam pulchra- tenor/bassus of Et iterum trio then remainder of mass
194r-197r
Adrianus Willart
Missa Laudate deum- from Sanctus contratenor/bassus onwards
198r-203r
Anonymous
Credo à7 [incomplete]

Folio information and variants:

ff. 50v bis-137r + 183v-185r (44 pages)

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