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Masses from the Renaissance: Look and Listen |
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Pierre de la Rue- Missa Incessament |
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Missa Incessament (2 versions) Source: JenaU 4, ff. 90v-101r (For additional sources see: CMME) Voices: 5- discantus/contratenor/tenor [primus]/tenor [secundus]/bassus: transmitted as 4 voices with tenor [primus] realised from bassus canon throughout Kyrie (Kyrie [I], Christe, Kyrie [II]) (13 pages) (04:45) Gloria in excelsis deo (Et in terra, Qui tollis) (23 pages) (08:12) Credo in unum deum (Patrem, Et incarnatus est, Et resurrexit) (36 pages) (12:55) Sanctus (Sanctus, Pleni sunt- discantus/contratenor duo, Osanna [I]=[II], Benedictus- discantus/contratenor duo) (20 pages) Agnus Dei (Agnus [I], Agnus [III]) (16 pages) (05:46) Source: JenaU 8 ff. 6v-25r (For additional sources see: CMME) NOTE: There are few music variants between this and the JenaU 4 transmission. Noteable, however, is the pitch variant (discantus, Agnus [III], m. 111,1) and the minor coloration "correction" (contratenor, Agnus [III], mm. 121-122). These two transmissions, from the same scriptorium - the Alamire workshop and chronologically very close- ca. 1512- ca. 1518, offer some interesting differences in underlay from time to time. I have slightly increased tempi to enhance the polyphonic flow. Voices: as above Kyrie (as above) (13 pages) (04:34) Gloria in excelsis deo (as above) (23 pages) (07:53) Credo in unum deum (as above) (36 pages) (12:38) Sanctus (as above) (20 pages) (10:33) Agnus dei (as above) (16 pages) (05:24) Brief Commentary:
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