Missa de sancto stephano= Missa Stephane gloriose

Source: 'sHerAB 72B, ff. 40v-62r (For additional sources see: CMME)

Voices: 4- discantus, contratenor, tenor, bassus

Kyrie (Kyrie [I], Christe, Kyrie [II] (7 pages) (03:15)

Gloria in excelsis deo (Et in terra, Qui tollis) (10 pages) (04:59)

Credo in unum deum (Patrem, Et incarnatus est, Crucifixus- discantus/contratenor duo, Et resurrexit- tenor/bassus duo, Et iterum) (18 pages) (09:08)

Sanctus (Sanctus, Pleni sunt- discantus/contratenor/bassus trio, Osanna [I]=[II], Benedictus- discantus/contratenor/bassus trio) (13 pages) (06:23)

Agnus dei (Agnus [I], Agnus [II]- discantus/contratenor duo vel non, Agnus [II]- duo vel non with bassus/tenor canon*, Agnus [III]) (11 pages) (05:04)

* I am indebted to Dr Jason Stoessel for drawing my attention to Prof. Bonnie Blackburn's research where she reports that in his Prattica di musica (1592) Zacconi informs us he was told by Lassus the duo vel non should be sung then followed by the four-part setting: Bonnie J. Blackburn "Two Treasure Chests of Canonic Antiquities: The Collections of Hermann Fink and Lodovico Zacconi" in Canons and Canonic Techniques 14th-16th Centuries: Theory, Practice, and Reception History, eds. Katelijne Schiltz and Bonnie J. Blackburn, Uitgeverij Peeters, Leuven, Belgium, 2007, p. 320.

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