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Masses from the Renaissance: Look and Listen |
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Johannes Martini- Missa Or sus or sus |
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Missa Or sus or sus Source: VatS 51, ff. 145v-155r This is a revision of my edition in An Editorial Transnotation of the Manuscript Capella Sistina 51, Biblioteca Apostolica Vaticana, Città del Vaticano, Liber Missarum, The Institute of Mediaeval Music, Ottawa, Canada, 2004, vol. IV, pp. 159-219. Voices: 4- discantus, contratenor altus, tenor, contratenor bassus. Kyrie (Kyrie [I], Christe, Kyrie [II]) Gloria in excelsis deo (Et in terra, Qui tollis) Credo in unum deum (Patrem, Et incarnatus est) Sanctus (Sanctus, Pleni sunt- discantus/altus/bassus trio, Osanna [I]=[II], Benedictus) Agnus dei (Agnus [I], Agnus [II], Agnus [III])
Source: JenaU 32, ff. 220r-233r Voices: 4- discantus, altus, tenor, bassus. Kyrie (Kyrie [I], Christe, Kyrie [II]) Gloria in excelsis deo (Et in terra, Qui tollis) Credo in unum deum (Patrem, Et incarnatus est- discantus/altus/bassus trio, Et resurrexit) Sanctus (Sanctus, Pleni sunt/Osanna [I]- discantus/altus/bassus trio, Benedictus- discantus/contra duo/Osanna [II]) Agnus dei (Agnus [I], Agnus [III])
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