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Masses from the Renaissance: Look and Listen |
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Mathurin Forestier- Missa Baise moy |
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Missa Baise moy Source: JenaU 4, ff. 102v-112r (For additional sources see: CMME) Voices: 5- discantus/contratenor/tenor [I] derived from tenor [II]/bassus. Two versions of the Kyrie are provided, the first with the Christe in 4; the second with the Christe in 5. Both sources for this mass (JenaU 4 and MontsM 766, ff. 6v-18r) transmit one signum congruentia in the Christe bassus; however a further voice can be derived from the bassus thus giving a 5-part reading. Kyrie (Kyrie [I], Christe- discantus/contratenor/bassus [I]/bassus [II] quartet, Kyrie [II] (14 pages) (04:16) Kyrie (Kyrie [I], Christe- discantus/contratenor/bassus [I]/bassus [II]/bassus [III] quintete, Kyrie [II]) (14 pages) (04:16) Gloria in excelsis deo (Et in terra, Qui tollis) (20 pages) (05:53) Credo in unum deum (Patrem, Et incarnatus- discantus/contratenor/bassus trio, Et resurrexit, Confiteor) (33 pages) (09:42) Sanctus (Sanctus, Pleni sunt- discantus/contratenor/bassus trio, Osanna [I]=[II], Benedictus- discantus/contratenor/bassus trio) (16 pages) (08:06) Agnus dei (Agnus [I], Agnus [II], Agnus [III]- discantus/contratenor/tenors I-IV/bassus septet) (15 pages) (04:23)
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