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Masses from the Renaissance: Look and Listen |
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Benedictus Appenzeller- Missa Hodie beata virgo maria |
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Missa Hodie beata virgo maria Source: MontsM 765, ff. 40v-62r Voices: 5- Kyrie [I]: discantus/contratenor/tenor [primus]/tenor [secundus] realised from tenor [primus] canon/bassus; Christe: discantus realised from contratenor [primus] canon/contratenor [primus]/contratenor [secundus]/tenor/bassus; Kyrie [II] and Gloria as for Kyrie [I]; Credo: discantus [primus]/discantus [secundus]/tenor [primus]/tenor [secundus]/bassus; Sanctus as for Christe; Agnus: 6 voices- discantus/contratenor [primus] realised from discantus canon/contratenor [secundus]/tenor [primus]/tenor [secundus]/bassus Kyrie (Kyrie [I], Christe- due to art work being removed from f. 41r some music missing from contratenor [primus] and tenor; a partial reconstruction is indicated by notes in ( ), Kyrie [II]) (11 pages) (04:13) Gloria in excelsis deo (Et in terra, Qui tollis- canon written out, Cum sancto- canon written out) (18 pages) (07:10) Credo in unum deum (Patrem, Et incarnatus est, Crucifixus- discantus [primus]/discantus [secundus]/tenor trio, Et in spiritum) (32 pages) (13:05) change of modality and no cantus firmus Sanctus (Sanctus, Pleni sunt- discantus [primus]/discantus [secundus]/tenor trio, Osanna [I]=[II], Benedictus with Sarum marie filius trope- discantus/contratenor/tenor bassus quartet) (22 pages) (10:35) Agnus dei (Agnus [I]) (4 pages) (02:00) Brief Commentary:
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